Let me start off by saying this: If you are in the murky depths of about 20,000 words or so on your novel and are kind of lost between the middle and the end, then this post is for YOU. If you missed Part 1 on this subject, no worries! You can find it here! Start there and then come back and rejoin us here on Part 2.
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I have read enough books on the craft of writing to know that building tension is everything to a story. The reader has to feel it growing so it pushes them farther into the story and makes his or her desire to know what is going to happen so unbearable that it is a race towards the end. When I started writing The Beholder, I definitely had a few ideas on what “bricks” I was going to use to build up the tension in order to make the climax the highest point it could be. Think of your plot as a huge mountain and the more tension you stack onto it the higher your climax point. The higher the reader has to climb to get to the climax, the more exciting the view will be from the top when they reach it.
After reaching the 20,000 mark (click here to relive my virtual happy dance about that milestone), this is a good time to reflect back on what those tension building blocks are going to be. There should be new ones to add, old ones to revise, and even ones to maybe throw out, depending on how your story has changed in this initial phase. I also think the 20,000 mark is a good place to do this because, at least for me, this is where I have already done some major writing at the front and back of my story, but the middle is kind of hanging them all murky and evasive-like. I need to know more about what I am building up to in order to connect my super hooky beginning with my star-studded ending. Without realizing it, I created a “building up” exercise that I think will come in handy for any future novel I write. Here is what you do:
J.A. Ward Writes 